C. F. Martin 0-16NY Flat Top Acoustic Guitar (1968)
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Item # 10057
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C. F. Martin 0-16NY Model Flat Top Acoustic Guitar (1968), made in Nazareth, PA, natural lacquer finish, mahogany back, sides and neck, spruce top, rosewood fingerboard, original black chipboard case.
This 0-sized 12-fret Martin is an early (if unheralded) example of a "vintage" re-issue; one of the first in the company's history. Beginning in the early '60s there was a groundswell of interest in the "old" 1920s-style Martin guitars with 12-fret neck joints and wider fingerboards. At the time these were considered more "authentic" folk instruments than the newer 14-fret styles built since the 1930s. Joan Baez in particular was very influential in this regard; her use of an already-vintage 12-fret 0-45 became an icon of the era and many players wanted a similar sized instrument.
The 0-16NY was offered beginning in 1961, designed as an affordable guitar for folk-style playing with either steel or nylon strings; to this end, they were built much lighter than the "modern" steel string Martins of the time. The satin (non-gloss) finish and trimmings are very plain but the guitar is built with Style 18 materials: a spruce top, mahogany body and neck with a rosewood fingerboard and bridge. 650 of these were shipped in 1968, the model's peak production year proving the design had "legs" well beyond the folk boom of the early '60s.
Although not sold originally as such essentially this is a re-issue of a late 1920s 0-18, with a wide 12-fret neck, slot head, small bridge, no pickguard, and only side dot position markers. Although advertised as suitable for nylon strings or steel when new, these guitars have full traditional Martin X-bracing and handle light steel strings perfectly well. Suitable for many styles beyond traditional folk, this is a very nice somewhat under the radar Martin model still.
Overall length is 38 1/4 in. (97.2 cm.), 13 5/8 in. (34.6 cm.) wide at lower bout, and 4 1/4 in. (10.8 cm.) in depth at side, taken at the end block. Scale length is 24 3/4 in. (629 mm.). Width of nut is 1 7/8 in. (48 mm.).
Overall this is a super nice, clean and original example with very little wear at all. The finish has just one notable spot of disturbance on the top side and a small adjacent area of the back. probably from extended contact with some sort of plastic. Beyond this is shows hardly any actual wear besides a few tiny dings and dents.
The saddle may to have been lowered a bit but still has decent height, and the original bridge looks perhaps slightly cut down. There are no cracks or other repairs on the instrument. This is a fine playing, sweet sounding guitar with more power than one might expect from a 1968 model; a relative bargain in a 50+ year old small-body Martin. Excellent + Condition.
This 0-sized 12-fret Martin is an early (if unheralded) example of a "vintage" re-issue; one of the first in the company's history. Beginning in the early '60s there was a groundswell of interest in the "old" 1920s-style Martin guitars with 12-fret neck joints and wider fingerboards. At the time these were considered more "authentic" folk instruments than the newer 14-fret styles built since the 1930s. Joan Baez in particular was very influential in this regard; her use of an already-vintage 12-fret 0-45 became an icon of the era and many players wanted a similar sized instrument.
The 0-16NY was offered beginning in 1961, designed as an affordable guitar for folk-style playing with either steel or nylon strings; to this end, they were built much lighter than the "modern" steel string Martins of the time. The satin (non-gloss) finish and trimmings are very plain but the guitar is built with Style 18 materials: a spruce top, mahogany body and neck with a rosewood fingerboard and bridge. 650 of these were shipped in 1968, the model's peak production year proving the design had "legs" well beyond the folk boom of the early '60s.
Although not sold originally as such essentially this is a re-issue of a late 1920s 0-18, with a wide 12-fret neck, slot head, small bridge, no pickguard, and only side dot position markers. Although advertised as suitable for nylon strings or steel when new, these guitars have full traditional Martin X-bracing and handle light steel strings perfectly well. Suitable for many styles beyond traditional folk, this is a very nice somewhat under the radar Martin model still.
Overall length is 38 1/4 in. (97.2 cm.), 13 5/8 in. (34.6 cm.) wide at lower bout, and 4 1/4 in. (10.8 cm.) in depth at side, taken at the end block. Scale length is 24 3/4 in. (629 mm.). Width of nut is 1 7/8 in. (48 mm.).
Overall this is a super nice, clean and original example with very little wear at all. The finish has just one notable spot of disturbance on the top side and a small adjacent area of the back. probably from extended contact with some sort of plastic. Beyond this is shows hardly any actual wear besides a few tiny dings and dents.
The saddle may to have been lowered a bit but still has decent height, and the original bridge looks perhaps slightly cut down. There are no cracks or other repairs on the instrument. This is a fine playing, sweet sounding guitar with more power than one might expect from a 1968 model; a relative bargain in a 50+ year old small-body Martin. Excellent + Condition.